paved screen
getting it juuuuuuuussst right
Michael Sinopoli of Greylock Productions and I have been in the editing studio working on the details of the first projected physical scene poem from auto mobile body works. I notice that the screen becomes a source for paving moving images and consistently giving me the opportunity to empty my eyes and view freshly something I’ve been seeing since birth– myself. 60 frames per second. 3 big beats to the bar. Plie, arms drop, white noise. Line up. Stretch. Dissolve. Follow the last note. See that phrase.
Where did it go?
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